Jorma Kaukonen

Jorma Kaukonen

Blue Country Heart



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Track List

1. Blue Railroad Train
2. Just Because
3. Blues Stay Away From Me
4. Red River Blues
5. Bread Line Blues
6. Waiting For A Train
7. Those Gambler's Blues
8. Tom Cat Blues
9. Big River Blues
10. Prohibition Blues
11. I'm Free From The Chain Gang Now
12. You And My Old Guitar
13. What Are They Doing In Heaven Today?

 

(Columbia) Ok, guitarist extraordinaire Jorma Kaukonen is probably best known to most people as a founding member of the '60s rock band Jefferson Airplane, and later on, along with fellow Airplane member Jack Casady, formed the blues band Hot Tuna.
 
That being said, 22 years since last being signed to a major label, much to his own amazement, at age 61, Jorma is now once again signed to a major label, and has released his first project on Columbia, titled Blue Country Heart- an album of Depression-era country songs.
 
Before you think- ah, here comes the parade of bandwagon jumpers riding in on the coattails of O Brother- be forewarned, this isn't the case with either Jorma or Blue Country Heart. Long before there ever was a Jefferson Airplane, Jorma listened to and played this kind of music, and amassed an extensive record collection of it along the way. He became enamored of it as a child when his father got their first phonograph and a Jimmie Rodgers album. His work with Hot Tuna also provided him the outlet to play the music that is his passion- Piedmont and Delta blues, which is in fact, a close cousin to country music.
 
Jorma admits though, that because of the O Brother phenomenon, the record label was probably a little nicer to him than they might ordinarily be, since this album would undoubtedly appeal to the fans of that CD. However, he goes on to say "I enjoyed playing rock & roll, but I'm coming full circle, because I kind of started out doing this when I was a kid. When I look at a retrospective of all I've done, I can see the commonality in it."
 
The roots of the Blue Country Heart project itself, was born a couple of years ago, after then-Atlantic A&R man Yves Beauvais caught a show Jorma did at BB King's in NYC. Yves asked Jorma what his dream project would be, and Jorma told him it was to do a "period album" of old time country songs with his pals Sam Bush, Byron House & Jerry Douglas. Yves told Jorma he'd give it some thought and get back to him. After a few months went by and Jorma didn't hear back from Yves, he just shrugged it off as an "oh well..."  However, a short time later, he did get a call from Yves, asking Jorma if he was still interested in doing the album, and explained why he hadn't gotten back to him sooner- he was no longer with Atlantic, and was now working for Columbia. Jorma said he most definitely was still interested, Yves told him to call his friends to see if they were interested in doing the project, and Jorma's dream project was set in motion.
 
Blue Country Heart was recorded in Nashville at Masterlink Studio, with producer Roger Moutentot. The 13 songs that appear on Blue Country Heart were whittled down from nearly 200, from not only the participants' private collections, but from Columbia's music archives. Jorma is joined by Sam Bush (mandolin & fiddle), Jerry Douglas (dobro & Weissenborn), Byron House (bass), and on the tracks "Bread Line Blues" & "Just Because," Bela Fleck (banjo). The album was recorded live, with all musicians in the same room, sitting in the round, using actual vintage instruments from the era. No overdubs or splicing were used, and the songs evolved as they played them, with no particular pre-conceived "arrangements" in mind.
 
The songs that were ultimately selected and make up Blue Country Heart, are excellent choices indeed, that vividly paint a picture of the place in time from which they came, a lesson in American history set to music. Like O Brother, the songs aren't clearly bluegrass, blues or country, but come from a place before the lines and boundaries were formed, and the music contained all the elements, when musicians both black and white borrowed and learned from each other- and played their music together.
 
Jorma chose songs by Jimmie Rodgers, "Waiting For A Train" (a trying to get back home lament), "Those Gambler Blues" (a maudlin slow, bluesy- almost ragtime dirge to a lover that died), and the lilting love ballad "You And My Old Guitar." He chose the Delmore's "Blue Railroad Train" and the dreamy "Blues Stay Away From Me." The joys of raising a little cain down by the river are covered on "Governor" Jimmy Davis' "Red River Blues."
 
Among the more obscure tracks are "Breadline Blues," a political song skewering candidates running for office that pledge that if each wins there would be no more breadlines and life will be better. "Prohibition Blues" is a riotous song about the effects of prohibition and how bootlegging was making everybody rich- but at the same time warning that some of that bootlegged liquor just may make you go blind. "I'm Free From The Chain Gang Now" with it's lovely melody, tells the tale of a man falsely accused of a crime and sent to prison to work the chain gang. After serving his years, he's finally set free, but harbors no ill will, instead looking forward to picking up and getting on with his life with the woman that's waited for him. The CD closes with Washington Phillips'  sweet, pondering lullabye to the dearly departed, "What Are They Doing In Heaven Today?"
 
Jorma's laid back vocals, easy arrangements and the stellar musicianship of all parties involved, makes Blue Country Heart the perfect soundtrack for a lazy, hot summer night, sitting on the porch imagining the world in simpler times. For those just discovering a love for this kind of music through O Brother, Down From The Mountain, or Patty Loveless' Mountain Soul, I recommend not missing out on this gem and add it to your collection. For those that have long been fans of this music, and may already be very familiar with these songs- don't pass on it. Jorma and friends breathe a wonderful new life into them.
 
Jorma has stated, "I'm certainly going to stay in this genre because, the more I do it, the more I discover and the more exciting it is for me. I've been familiar with this music all my life, but I've never really gotten into it before like I'm getting into it now. There's a lot of stuff left to learn. There's still a bunch of ore left in the mine, and I plan on doing a lot more mining."
 
Let's certainly hope so!

AnnMarie Harrington Take Country Back July 2002


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